As a former kingdom, fair if Klungkung have many relics which is currently a tourist attraction. One of them is Taman Gili Kerta Gosa, cultural heritage palace Semarapura Klungkung. Kerta Gosa is a building (bale) which is part of the palace complex of buildings Semarapura and has been built around the year 1686 the foundation stone of the first holder of the throne of power and the kingdom of Klungkung Ida I Dewa Agung Jambe.
Gosa Kerta consists of two buildings (B
ale) is Bale and Bale Kambang akerta Gosa. Bale called Kambang because the building is surrounded by a pool of Taman Gili. Uniqueness Kerta Gosa with Kambang Bale is on the ceiling surface or bale ceiling is decorated with traditional painting style of Kamasan (a village in Klungkung) or style of puppet that is very popular among the people of Bali. At first, the paintings that decorate the ceiling of the building was made of cloth and parba. New since 1930 is replaced and built on top of the plasterboard and then restored in accordance with the original image and remains intact until now. As the cultural heritage of Kraton Semarapura, Kerta Gosa and Bale Kambang enabled to try the case and place where religious ceremonies are especially Yadnya cut teeth (mepandes) like sons and daughters of the king.
The function of these two buildings is closely related to the function of education through puppet paintings presented at the ceiling of the building. Therefore, the paintings is a series of a story that takes the main theme parwa Swargarokanaparwa and Bima Swarga who guide the punishment karma phala (result of the merits of human acts committed during his life) as well as re-incarnation into the world because of the deeds and sin- his sin. Therefore not wrong to say that psychologically, the themes of paintings that decorate the ceiling Kerta Gosa building contains the values of mental and spiritual education. The painting is divided into six rows of terraced.
Bottom row illustrates the theme of the story comes from Tantric. Dereta second from the bottom illustrates the theme of the story in Swargarakanaparwa Bimaswarga. The next row of Kasyapa Bagawan themed story. The theme of the fourth row Palalindon the characteristics or the meaning and significance of the earthquake are mythological. Continued story taken from the theme Bimaswarga indescribable located on the fifth row of the cone is nearly the ceiling of the building. In the last row or sixth is occupied by a picture of the life of nirvana. In addition to the roof of the building Kerta Gosa, puppet paintings also decorate the ceiling of the building to the west of the Bale Kambang Kerta Gosa. On the palate this Kambang Bale puppet themed paintings from the Ramayana and Sutasoma Kakawin story.
Taking the theme originating from kakawin yanga provide clues that the building functions Kambang Bale is a place to hold religious ceremonies Manusa Yadnya cut teeth sons and daughters of the king in Klungkung. The attraction of Kerta Gosa other than the traditional style of painting in Kamasan Bale and Bale Kambang Kerta Gosa, other important relics are still around and can not be separated in terms of historical value is great pemedal (the gate / gate). Great Pemedal located west Kerta Gosa very emit value of cultural heritage palace. In this Great Pemedal also contained artistic value of traditional Balinese architecture. This gate that serves as a support mechanism ever holder of the throne of power (the Supreme Deity) in Klungkung for over 200 years (1686-1908).
In the event of war against the Dutch military expedition known as Puputan Klungkung on April 28, 1908, the last holder of the throne Jambe Dewa Agung and his followers killed. (Records of these events are now immortalized in a monument Puputan Klungkung is located across Kerta Gosa). After the defeat of the core building Kraton Semarapura (offal) is destroyed and turned into residential places. The highest remaining debris is Kerta Gosa, Bale Kambang with her and Gili Garden Gate Palace that turned out to be a very interesting object both in terms of tourism and culture, especially historical studies.
Kerta Gosa was also once functioned as the court hall during the Dutch colonial bureaucracy in Klungkung (1908-1942) and since the appointment of a chief regional officer indigenous kingdoms in Klungkung (Ida I Dewa Agung Klungkung State) in 1929. In fact, former chair of the court fixtures and carved wooden desk and paint wear Prade still there. The objects are evidence of customary courts Traditional relics like the one prevailing in Klungkung in the colonial period (1908-1942) and the period of Japanese occupation (1043-1945). In 1930, restoration of paintings ever done puppet contained in Kerta Gosa and Bale Kambang by the artists of Kamasan painting. Restoration of the last painting done in 1960.
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